Peer-reviewed

“Representing Kantor: Monsieur On Sait Qui (1982) at Échange entre artistes 1931–1982, Pologne–USA,” in The 1982 Cultural Exchange Between Łódź and Los Angeles, ed. Agnieszka Pindera (Łódź: Muzeum Sztuki, 2024), 81-106.

Catalogue essays

“Henryk Stażewski’s Path to Reliefs, 1950-1959,” in Henryk Stażewski: Constructing Reliefs (New York: The Kosciuszko Foundation, 2021), 12-28.

“Chains and Crosses: The Political Iconography of Xawery Wolski’s Dark Series (1988-1992)” in Xawery Wolski, ed. Vincenza Russo (Milan: Skira Editore, 2020), 29-43.

“Female Artists and the Surrealist Body in East Central Europe after 1945,” The Female Gaze: Women Surrealists in the Americas and Europe, ed. Gloria Orenstein (New York: Heather James Fine Art, 2019), 36-41.

“Wojciech Fangor: The Early 1960s” in Wojciech Fangor: The Early 1960s (New York: Heather James Fine Art, 2018), 4-11.

Online essays

“The Many Lives of El Lissitzky’s Proun 19D (1920 or 1921),” post. Notes on Art in Global Context (New York: The Museum of Modern Art, January 30, 2019) https://post.moma.org/the-many-lives-of-el-lissitzkys-proun-19d-1920-or-1921/